Pedro Linares is considered one of Mexico’s most important Folk artists. He was born into a family of artisans and learned the trade of papier-mache at a young age. Linares took his craft to new levels, creating more significant and complex pieces. His work is characterized by its bright colours and traditional Mexican motifs. Linares’ work gained popularity in the 1940s when he began exhibiting his pieces in Mexico City. His work was featured in several international exhibitions, including the 1954 World’s Fair in New York. Linares continued to work until his death in 1992. His legacy continues through his son, who is also an artist.
Pedro Linares was born in Mexico City in 1902. His father was a stone carver, and his mother was an embroiderer. When he was four years old, his family moved to Cuernavaca, where he began school. When he was eight years old, his family returned to Mexico City. He finished school when he was fourteen and began working at his father’s workshop.
Linares became interested in art when he saw some of the work of Diego Rivera and Jose Clemente Orozco while they were working on murals at the National Preparatory School. He also attended classes at the San Carlos Academy of Fine Arts.
In 1925, Linares began working as an assistant to Rivera on a mural at the Ministry of Education building. He also worked with Orozco on several occasions. He developed a style that combined elements of both artists’ styles.
Linares had his first solo exhibition in 1929. In the 1930s, he created a series of paintings featuring Mexican folkloric subjects. He also designed sets and costumes for ballets and theatrical productions. During this period, he became friends with Frida Kahlo and her husband, Diego Rivera.
In the 1940s, Linares developed an interest in Pre-Columbian art and culture. He began collecting Pre-Columbian artefacts and studying Pre-Columbian cultures. He also created several works inspired by Pre-Columbian.
Work as a sculptor
Pedro Linares was best known as a sculptor for his work in paper-mâché and ceramics. He often created figures of animals, people, and mythical creatures. His work was often brightly coloured and very detailed.
In addition to sculptures, Linares also created masks and puppets. He was exceptionally skilled at creating puppets that strings could operate. He often used these puppets in performances that he put on for family and friends.
Linares’s work was not limited to two-dimensional art forms. He also worked as a set designer and an art director for films. In these roles, he used his skill as a sculptor to create sets and props that added to the film’s overall effect.
Linares in Mexico City
Linares was born in Mexico City in 1919 and began his career as a self-taught artist. He first gained recognition for his handmade decorations, which he made from clay and other materials. He later began working with paper mache, and his work soon became known for its vibrant colours and intricate designs.
Linares became one of Mexico’s most celebrated folk artists, and his work has been exhibited in museums worldwide. He received numerous awards throughout his career, including the National Prize for Arts and Sciences in 1980.
Linares passed away in 1992, but his legacy continues to live on through his art. His work is now highly sought-after by collectors and remains an integral part of Mexican cultural heritage.
Death and legacy
In Mexico, Pedro Linares is considered one of the most important folk artists of the 20th century. His work safeguarded and promoted traditional Mexican folk art forms, particularly paper-mâché and Huichol yarn painting. He is also recognized for his essential role in developing Mexico’s Day of the Dead celebrations.
Linares was born in 1910 in Toluca, in the state of Mexico. His father was a carpenter, and Pedro began working with wood at a young age. When he was eighteen, he moved to Mexico City to start his carpentry business. He met Diego Rivera, who would become a great friend and mentor. Rivera introduced Linares to the art world, and through him, Linares began experimenting with paper-mâché.
In the early 1940s, Linares started making life-size paper-mâché puppets for use in traditional Mexican dances and ceremonies. He quickly gained recognition for his skilful craftsmanship, and his puppets were soon in high demand. He began receiving commissions from renowned artists such as Frida Kahlo and David Alfaro Siqueiros, as well as from major cultural institutions such as Mexico’s National Museum of Anthropology.
Linares’ work went beyond puppetry; he also created monumental paper-mâché sculptures.
List of works
PEDRO LINARES, AS A MEXICAN ARTIST LIFE
– List of works –
Pedro Linares was a Mexican artist best known for his work in paper-mâché and recycled materials. He was born in Mexico City in 1919 and died in 1992.
Linares created many Day of the Dead altars, now on display in the Museum of Natural History in Mexico City and the San Francisco Museum of Modern Art. He also created giant puppets for processions and theatrical performances. Some of his most famous puppets include those he created for the film “El Palacio de la Luna” (The Palace of the Moon) and “La Danza de los Voladores” (The Dance of the Flyers).
In addition to his work in paper-mâché, Linares was also a painter and sculptor. His paintings are characterized by their bright colours and Mexican folk motifs. His sculptures are made from recycled materials, such as tin cans and bottle caps.
Linares’s work has been exhibited widely in Mexico and the United States. His art is included in the collections of several museums, including the Smithsonian Institution, the Los Angeles County Museum of Art, and the Museum of Fine Arts, Houston.